The annual Milky Way photographer of the year competition features the best photos of our galaxy as selected by Capture the Atlas. This year’s images were taken from around the world by 25 photographers of 14 different nationalities. The best time to see and photograph the Milky Way is usually between May and June with maximum hours of visibility on both hemispheres
Volcano and cross – Tomas Slovinsky | Villarrica Volcano, Chile
‘If you’ve never seen the Southern Sky, it’s significantly different and truly amazing. In the northern hemisphere, we use Polaris as the polar star, but below the equator, there are other rules. To easily recognise the south celestial pole, the best indicator is the Southern Cross constellation, located in the image just above the Villarrica volcano. This cross points to the south celestial pole and it’s easy to identify, considering the brightness of the stars. Within the cross, we can see the dark area called “the Coalsack”, which is also visible to the naked eye. It’s one of the best-known dark nebulae in the sky. In the upper left corner, there’s another night sky gem: the red-coloured Carina Nebula. This is also only visible in the southern hemisphere and, even though it’s visible to the naked eye, with a pair of binoculars, we can see all the beautiful details’
Photograph: Tomas Slovinsky/Milky Way photographer of the year.
Devil’s throat
This photo by Victor Lima required special permission from the local environmental agency in order to pull off.
It was taken at one of the National Parks in Brazil and shows a fantastic waterfall backdropped by Saturn and a mass of other stars seemingly stretching off into infinity.
Victor Lima spoke about the difficulties and the results:
“In the area closest to the main waterfalls, the big challenge was to make long exposure images with the strong water spray from the more than 1.5 million liters per second that fall through the waterfalls. Working with exposure times longer than 10 or 15 seconds became an almost impossible task and the lens was never dry.
In this image, we have one of the main waterfalls of the Iguazu Falls complex, the “Santa Maria Jump.” Right over the fall, we can see Saturn and the zodiacal light illuminating the horizon. Further up there is the Milky Way Core. We can also identify some of the main emission nebulae present in this region of the sky.”
Riaño – Pablo Ruiz | Spain
‘I captured this image last winter in the Riaño mountain reservoir in Spain. The biggest difficulty that night was mainly the cold; it was over -10 degrees. The moisture in the reservoir was freezing the lens and it was difficult to shoot for a long period of time. I planned the photograph using PhotoPills and, when the weather forecast was promising, I decided to try for it. The composition of the winter Milky Way over the mountains and the reservoir created magical scenery’
Paradise – Marcin Zajac | Big Sur, California
‘If I had to choose my favourite place on Earth, this might be it. Located on the Pacific coast near Big Sur, it really has everything: a beautiful cove filled with emerald waters, an 80ft waterfall that falls directly on to the beach, a palm tree that makes you feel like you’re on a tropical island, and a perfectly dark sky that shines bright with stars at night’
Chamber of light – Spencer Welling | Utah, US
‘The deserts of the south-west abound with places to capture the night sky. With all that the south-west has to offer, it’s easy to overlook some of the more obscure hidden gems hovering under the radar. This is one such location, which is situated below a remote set of cliffs in Grand Staircase-Escalante. Due to its remoteness, this natural stone chamber provides some of the clearest, most pristine views of the Milky Way framed by the copper-coloured opening of the cavern’
Night lovers – Mohammad Hayati | Hormozgan province, Iran
‘In this picture, you can see the Milky Way rising on a fascinating spring night on the Persian Gulf coast. The stunning cliffs of this area make every viewer imagine and even talk to them! The light pollution from a faraway city was quite strong, so it was a challenging post-processing process. I’m a nightscaper who tries to achieve an artistic look in my images, and in this image, I tried to convey and capture the magic of this location’
Nyctophilia – José Luis Cantabrana | Great Ocean Road, Victoria, Australia
‘This incredible location has always amazed me, even before I had any interest in photography. This set of rocks, carved by the incessant churning of the sea and the powerful wind that whips the south coast of Victoria is, without a doubt, the most emblematic landscape of Australia. After an amazing sunset followed by an ethereal moonset, I was standing there, contemplating the spot I had always dreamt of under a magical starry sky. However, not everything was pink that night … I had brought a new piece of equipment with me, a star tracker, and as soon I started to set it up, I knew it was going to be a tricky night. After numerous failed attempts to align it towards the south celestial pole, I was ready to give up, but I decided to take a shot and “see what happens” while the galactic core was rising up. Surprisingly, it worked out nicely, and a door opened for me, to a new magical world full of stars’
Navajo nights
At first glance this image looks like it was taken on another planet, but it was actually snapped at the Bisti Badlands in New Mexico.
Another astounding view from our magnificent planet of potentially millions more in the skies above.
Dragon’s lair – Daniel Thomas Gum | Mungo, NSW, Australia
‘This is my favourite nightscape image to date. Mungo is a 12-hour drive away from my home in Sydney, but those Bortle 1 skies are the best I’ve ever witnessed and photographed at night. I had perfect conditions for three straight nights, with really good seeing throughout. The moment I came upon this scene, I knew exactly what I wanted to the name the image. It was otherworldly – think Game of Thrones – and it lined up perfectly for how I wanted to capture it. Large, jagged walls framed a winding path leading to a centred spire to the west. There was only ever going to be one way to do it justice and that was as a multi-layered Milky Way panorama. I planned this image using PhotoPills during the day, but in post-processing, I decided to use the blue-hour blend for the foreground with a tracked sky for the cleanest possible image’
Photograph: Daniel Thomas/Milky Way photographer of the year
GranTeCan – Antonio Solano | La Palma, Canary Islands, Spain
‘On the last night of my trip to La Palma, I went up to the “Roque de los Muchachos”, where I enjoyed a nice dinner with my girlfriend while watching the spectacular sunset over the sea of clouds that is typical of this location. Moments later, the first stars were already visible and I set up my camera gear. The night was fantastic; there was no wind and no “calima” on the horizon. After several tests, I opted for a 50mm focal length that allowed me to capture a closer perspective of the telescope while framing our galactic bulge’
The Watchman – Brandt Ryder | Zion National Park, Utah, US
‘Utah’s dark skies are a mecca for astrophotographers from around the world. Zion national park is one of the premier locations and, for as long as I can remember, nightscapes from this park have captured my imagination. When I finally travelled to Zion, I knew I wanted to capture something unique, something different from the traditional shot, but one that still featured the iconic and austere “Watchman”. I had seen some photos from a closer angle and after some exploring, I came across this twisted skeleton of an old juniper framing the Watchman. As a photographer, I am always looking for interesting foreground subjects. Foregrounds that have features that can in some way recapitulate or accentuate the background are rare but always the most compelling. When I noticed how the angles of the tree matched the peak near perfectly, I knew I had found something special. This composition is a blue-hour blend with the sky taken at night and the foreground taken before the sun came above the horizon’
Temple of the Sun – Bryony Richards | Capitol Reef national park, Utah, US
‘The Milky Way core rises before dawn under the southern skies of Capitol Reef national park’s ‘Temple of the Sun’. This area of the Colorado Plateau desert, known for its domes, hoodoos, fins, reefs, natural bridges and slot canyons, includes the Temples of the Sun and Moon. These Jurassic-aged sandstone monoliths, which formed as sandy mud on a tidal flat, tower above the otherwise flat desert floor. It seems like more than a coincidence that the Temples line up perfectly with the Milky Way, their vibrant orange colours seemingly reflecting the colour of the stars above’